Editing, color grading, VFX, sound design, and music — part of every Flightless production, and available post-only through our sister studio, Concourse Post.
Where the work gets finished
Post is where good footage becomes a good film, and it's the half of production most companies outsource. We built the opposite model: a full post-production house — Concourse Post — under the same roof and ownership as our production company. Every Flightless project finishes here, and agencies, brands, and other production companies bring us post-only work every week.
Capabilities
- Editorial — offline through conform, across broadcast spots, brand films, docs, and social formats
- Color grading — supervised or attended sessions, finished for broadcast, web, and cinema
- VFX and cleanup — compositing, screen replacements, beauty and rig removal
- Sound design and mix — broadcast-spec mixes, VO records, and audio cleanup
- Music — supervision, licensing, and original score through our composer network
- Versioning and delivery — every cutdown, language, caption file, and aspect ratio in the plan
Editors who think like directors
Our editors cut campaigns they helped plan — they're in pre-production conversations, on set when it counts, and they start assembling while the production is still shooting. That's why comedy campaigns like Rise and commercetools land: the joke is protected from script to mix by the same brains.
Post-only? Bring it.
If you shot it elsewhere, we'll still finish it right. Concourse Post takes editorial, color, VFX, and audio engagements on outside footage, with the same pipeline and the same standards. It's also how a lot of clients meet us before they ever book a production.
Selected Work
Common questions
Do you take post-only projects?
What post-production services do you offer?
How fast can you turn an edit around?
What's the relationship between Flightless and Concourse Post?
Have a project?
Let's talk.
Tell us what you're making. We'll figure out how to bring it to life — on time and on budget.